Rich Ives

MOON IN THE HAYLOFT

by Rich Ives

1.

In the kingdom of the barn, below the cautionary woods,
imagined falling talon and claw inside the rumbling

stomachs of gatherers, each movement in its hidden nest,
abandoned, fragile in its vigil, contemplated,

not quite circular, like the egg, still waiting
for something to fall out.

2.

There’s a voice in the well that has no feet.
We ate quietly and raised the darkness to our lips.

I used them both to wash out the bucket that
held me. When you allowed it to breathe,

the waitress brought me a glass
with a tall and handsome waterfall in it.

It’s what you might forget if you observed
me from the hillside behind the barn’s prison.

It’s the way memory releases when there is nothing more
and the brain’s furrowed attention seems to lift from its stem.

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Rich IvesRich Ives has received grants and awards from the National Endowment for the Arts, Artist Trust, Seattle Arts Commission, and the Coordinating Council of Literary Magazines for his work in poetry, fiction, editing, publishing, translation, and photography. His writing has appeared in Verse, North American Review, Dublin Quarterly, Massachusetts Review, Northwest Review, Quarterly West, Iowa Review, Poetry Northwest, Virginia Quarterly Review, Fiction Daily, and many more. He is the 2009 winner of the Francis Locke Memorial Poetry Award from Bitter Oleander. In 2011 he received a nomination for The Best of the Web and two nominations for both the Pushcart Prize and The Best of the Net. He is the 2012 winner of the Creative Nonfiction Prize from Thin Air magazine. His book, Tunneling to the Moon: A Psychological Gardener’s Book of Days, is currently being serialized with a work per day appearing for all of 2013 at silencedpress.com

Leslee Rene Wright

HEARTLAND

by Leslee Rene Wright

A landscape can go woozy
with neglect. Barns slump
over, ball gowns absent
the bride, sheltered by sand
pines too bored to be rabid.

The horizon hosts a bare-bones picnic,
a muddle of broad, brown cloth,
weeds lashing at the leftovers,
hillsides picked over for gold
and all the trimmings, oil and ore
and more. A dribble of river

drifts the fish to no-man’s land,
no hooks, no nets to heave home.
It longs for strict scaffolding,
a deep cut of canyon where
it might finally be whittled
to fine white surge, a rival
for the trains that blow open

the dark, sweeping doors
from their moorings, shingles
quaking over church bells
whose silver tongues rustle
apart a town made of paper, streets
sifting on fractured ice.

Frigid wasps muddle the windowsill,
dazed as they try to probe
their way into a house that gasps
and hangs like a husk, a hollow
breast in a famished hand.

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Leslee Rene WrightLeslee Rene Wright lives and teaches in Denver, Colorado, but spent several years in the heart of Nebraska. Her poems and stories have appeared in Necessary Fiction, A Clean, Well-Lighted Place, Prick of the Spindle, Crab Creek Review, Painted Bride Quarterly, and others.

Gemma Cooper-Novack

IT ISN’T STILLNESS

by Gemma Cooper-Novack

                                            It is disruption and distortion

Beneath your lips and buttery leather
fingertips doors spring apart—you are every-

where and nowhere and now
here, and these nights, these nights
                                           these nights when you can’t be found

are long like legs. You watch
blankly from mahogany mantles, shifting

scales. You angle and rustle, everywhere and
nowhere like sirens, en route to somewhere
                                           where you should be

else. Your tone never changes; your arms are always
smooth. You block each twist

smoothly, everywhere and nowhere and now
there, now there. When the shifting
                                          shifting hips and tequila-tongued whispers

planes of your face pause like sculpture, it
isn’t stillness: on every elevator you

crackle with fissures, everywhere and nowhere like breathing,
your fingerprints found only in
                                          in and out like tides

one spot, your heartbeat ragged.

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Cooper-Novack author picGemma Cooper-Novack is a writer, writing coach, and arts educator based in Boston. Her poetry has appeared in Amethyst Arsenic (2013), ParkPages (2013), Blast Furnace Review (2013), Hanging Loose (1998, 2000, 2011, 2012), Lyre Lyre (2013), PressBoard Press (2013), Rufous City Review (2012), The Saint Ann’s Review (2003, 2005, 2009), and Spry (2013), and is forthcoming in Ballard Street Poetry Journal, Construction, and Referential. Her fiction is forthcoming in Elsewhere and Printer’s Devil Review. Her plays have been produced in Chicago and New York.