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	<title>movies Archives - Tampa Review</title>
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	<description>Celebrating 60 Years of Literary Publishing</description>
	<lastBuildDate>Mon, 18 Nov 2013 22:01:46 +0000</lastBuildDate>
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		<title>Alan Moore&#8217;s Amazing Mind Turns 60</title>
		<link>https://tampareview.org/alan-moores-amazing-mind-turns-60/</link>
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		<dc:creator><![CDATA[utpress]]></dc:creator>
		<pubDate>Mon, 18 Nov 2013 22:01:46 +0000</pubDate>
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		<category><![CDATA[Alan Moore]]></category>
		<category><![CDATA[Comics]]></category>
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		<guid isPermaLink="false">http://tampareviewonline.org/?p=25938</guid>

					<description><![CDATA[<p>Happy Birthday, Alan Moore. One of the greatest comic book writers ever, his works include the iconic V for Vendetta, the deeply esoteric work Promethea, League of Extraordinary Gentlemen, the Jack The Ripper themed From Hell, Watchmen, Swamp Thing and others. Many of his comics have, much to his great disdain, become big-budget Hollywood films. If you like ... <span class="more"><a class="more-link" href="https://tampareview.org/alan-moores-amazing-mind-turns-60/">[Read more...]</a></span></p>
<p>The post <a href="https://tampareview.org/alan-moores-amazing-mind-turns-60/">Alan Moore&#8217;s Amazing Mind Turns 60</a> appeared first on <a href="https://tampareview.org">Tampa Review</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Happy Birthday, Alan Moore. One of the greatest comic book writers ever, his works include the iconic <em>V for Vendetta</em>, the deeply esoteric work <em>Promethea</em>, <em>League of Extraordinary Gentlemen</em>, the Jack The Ripper themed <em>From Hell</em>, <em>Watchmen</em>, <em>Swamp Thing</em> and others.</p>
<p>Many of his comics have, <a href="http://www.theguardian.com/books/2012/dec/15/alan-moore-why-i-rejected-hollywood-interview" target="_blank">much to his great disdain</a>, become big-budget Hollywood films. If you like any of the movies, we suggest you read the original works. They are amazing.</p>
<p>In celebration of his big day, let&#8217;s all take a journey into Alan&#8217;s vastly imaginative mind.</p>
<p>https://www.youtube.com/watch?v=YutJ0HORpAQ</p>
<p>Enjoy the ride.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>The post <a href="https://tampareview.org/alan-moores-amazing-mind-turns-60/">Alan Moore&#8217;s Amazing Mind Turns 60</a> appeared first on <a href="https://tampareview.org">Tampa Review</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">25938</post-id>	</item>
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		<title>The Slaughterhouse-Five Movie Redux</title>
		<link>https://tampareview.org/the-slaughterhouse-five-movie-redux/</link>
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		<dc:creator><![CDATA[utpress]]></dc:creator>
		<pubDate>Fri, 12 Jul 2013 15:28:38 +0000</pubDate>
				<category><![CDATA[News]]></category>
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		<category><![CDATA[Vonnegut]]></category>
		<guid isPermaLink="false">http://tampareviewonline.org/?p=15196</guid>

					<description><![CDATA[<p>Per the Guardian: Charlie Kaufman is set to write a big-screen adaptation of Slaughterhouse-Five, to be directed by Guillermo del Toro. The screenwriter behind Eternal Sunshine of the Spotless Mind and Being John Malkovich is Del Toro&#8217;s preferred writer to work on his film of the 1969 Kurt Vonnegut novel. I like the pairing. Kaufman ... <span class="more"><a class="more-link" href="https://tampareview.org/the-slaughterhouse-five-movie-redux/">[Read more...]</a></span></p>
<p>The post <a href="https://tampareview.org/the-slaughterhouse-five-movie-redux/">The Slaughterhouse-Five Movie Redux</a> appeared first on <a href="https://tampareview.org">Tampa Review</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://tampatesting.musecommons.org/wp-content/uploads/sites/22/2013/07/slaughterhousefive.jpg"><img fetchpriority="high" decoding="async" class="aligncenter size-full wp-image-15204" alt="slaughterhousefive" src="http://tampatesting.musecommons.org/wp-content/uploads/sites/22/2013/07/slaughterhousefive.jpg" width="480" height="768" srcset="https://tampareview.org/wp-content/uploads/2013/07/slaughterhousefive.jpg 480w, https://tampareview.org/wp-content/uploads/2013/07/slaughterhousefive-188x300.jpg 188w" sizes="(max-width: 480px) 100vw, 480px" /></a></p>
<p>Per the <em><a href="http://www.guardian.co.uk/film/2013/jul/09/charlie-kaufman-slaughterhouse-five-film" target="_blank">Guardian</a></em>:</p>
<blockquote><p>Charlie Kaufman is set to write a big-screen adaptation of Slaughterhouse-Five, to be directed by Guillermo del Toro. The screenwriter behind Eternal Sunshine of the Spotless Mind and Being John Malkovich is Del Toro&#8217;s preferred writer to work on his film of the 1969 Kurt Vonnegut novel.</p></blockquote>
<p>I like the pairing. <a href="http://www.imdb.com/name/nm0442109/" target="_blank">Kaufman</a> is an inventive writer, and the adaptation of Vonnegut book should go better than his past book <a href="http://www.imdb.com/title/tt0268126/" target="_blank">adaptations</a>. Guillermo del Toro has tremendous vision as a filmmaker, and I trust him with <em>Slaughterhouse-Five</em>.</p>
<p>Of course, this is technically a remake, since <em>Slaughterhouse-Five</em> has already been on the big screen. The 1972 film was described by Vonnegut in his preface to <em>Between Time and Timbuktu</em> as, &#8220;<a href="http://en.wikipedia.org/wiki/Between_Time_and_Timbuktu" target="_blank">a flawless translation of my novel <i>Slaughterhouse-Five</i> to the silver screen</a>.&#8221;</p>
<p>As a refresher, here is the trailer:</p>
<p><iframe title="Slaughterhouse-Five Official Trailer #1 - Valerie Perrine Movie (1972) HD" width="700" height="525" src="https://www.youtube.com/embed/DvlZtlBfCi0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe></p>
<p>Vonnegut went on to write in the same preface that, &#8220;I drool and cackle every time I watch that film, because it is so harmonious with what I felt when I wrote the book.&#8221;</p>
<p>Now it&#8217;s Kaufman and del Toro&#8217;s turn to bring Vonnegut&#8217;s classic anti-war novel, once again, to the big screen. No easy task, even if it&#8217;s been done before.</p>
<p>As Hollywood&#8217;s imagination seems to be running on fumes these days, film remakes and adaptations of books are becoming the rule rather than the exception.</p>
<p>In the instance of <em>Slaughterhouse-Five</em>, Hollywood is guilty of both.</p>
<p>And so it goes.</p>
<p>&nbsp;</p>
<p>The post <a href="https://tampareview.org/the-slaughterhouse-five-movie-redux/">The Slaughterhouse-Five Movie Redux</a> appeared first on <a href="https://tampareview.org">Tampa Review</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">15196</post-id>	</item>
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		<title>Why, Yes, that Oscar-Nominated Movie is Based on a Novel</title>
		<link>https://tampareview.org/why-yes-that-oscar-nominated-movieis-based-on-a-novel/</link>
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		<dc:creator><![CDATA[utpress]]></dc:creator>
		<pubDate>Wed, 06 Mar 2013 14:58:48 +0000</pubDate>
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		<guid isPermaLink="false">http://tampareviewonline.org/?p=4736</guid>

					<description><![CDATA[<p>Oftentimes, behind an Academy Award-winning film is a magnificent &#8212; and, occasionally, better than the film itself &#8212; novel that inspired it  Here is a lengthy list of some novels-turned-movies that received Best Adapted Screenplay Oscar nominations (or, in some cases, wins), including the 2013 nominees: American Hero (1993) by Larry Beinhart &#8211;&#62; Wag the ... <span class="more"><a class="more-link" href="https://tampareview.org/why-yes-that-oscar-nominated-movieis-based-on-a-novel/">[Read more...]</a></span></p>
<p>The post <a href="https://tampareview.org/why-yes-that-oscar-nominated-movieis-based-on-a-novel/">Why, Yes, that Oscar-Nominated Movie is Based on a Novel</a> appeared first on <a href="https://tampareview.org">Tampa Review</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="http://tampatesting.musecommons.org/wp-content/uploads/sites/22/2013/02/OscarBooks.png"><img decoding="async" class="alignright size-medium wp-image-7114" alt="OscarBooks" src="http://tampatesting.musecommons.org/wp-content/uploads/sites/22/2013/02/OscarBooks-300x102.png" width="300" height="102" srcset="https://tampareview.org/wp-content/uploads/2013/02/OscarBooks-300x102.png 300w, https://tampareview.org/wp-content/uploads/2013/02/OscarBooks.png 750w" sizes="(max-width: 300px) 100vw, 300px" /></a></p>
<p>Oftentimes, behind an Academy Award-winning film is a magnificent &#8212; and, occasionally, better than the film itself &#8212; novel that inspired it  Here is a lengthy list of some novels-turned-movies that received Best Adapted Screenplay Oscar nominations (or, in some cases, wins), including the 2013 nominees:<span id="more-4736"></span></p>
<ul>
<li><span style="text-decoration: underline">American Hero</span> (1993) by Larry Beinhart &#8211;&gt; <em>Wag the Dog</em> (1997) &#8212; directed by Barry Levinson</li>
<li><span style="text-decoration: underline">Atonement</span> (2001) by Ian McEwan &#8211;&gt; <em>Atonement </em>(2007) &#8212; directed by Joe Wright</li>
<li><span style="text-decoration: underline">Between a Rock and a Hard Place</span> (2004) by Aron Ralston &#8211;&gt; <em>127 Hours </em>(2010) &#8212; directed by Danny Boyle</li>
<li><span style="text-decoration: underline">Capote</span> (1988) by Gerald Clarke &#8211;&gt; <em>Capote </em>(2005) &#8212; directed by Bennett Miller</li>
<li><span style="text-decoration: underline">The Children of Men</span> (1992) by P.D. James &#8211;&gt; <em>Children of Men </em>(2006) &#8212; directed by Alfonso Cuarón</li>
<li><span style="text-decoration: underline">The Descendants</span> (2007) by Kaui Hart Hemmings &#8211;&gt; <em>The Descendants </em>(2011) &#8212; directed by Alexander Payne</li>
<li><span style="text-decoration: underline">The Diving Bell and the Butterfly</span> (1997) by Jean-Dominique Bauby &#8211;&gt; <em>The Diving Bell and the Butterfly </em>(2007) &#8212; directed by Julian Schnabel</li>
<li><span style="text-decoration: underline">The Hours</span> (1998) by Michael Cunningham &#8211;&gt; <em>The Hours </em>(2002) &#8212; directed by Stephen Daldry</li>
<li><em></em><span style="text-decoration: underline">The Invention of Hugo Cabret</span> (2007) by Brian Selznick &#8211;&gt; <em>Hugo </em>(2011) &#8212; directed by Martin Scorcese</li>
<li><span style="text-decoration: underline">Life of Pi</span> (2001) by Yann Martel &#8211;&gt; <em>Life of Pi </em>(2012) &#8212; directed by Ang Lee</li>
<li><span style="text-decoration: underline">Little Children</span> (2004) by Tom Perrotta &#8211;&gt; <em>Little Children</em> (2006) &#8212; directed by Todd Field</li>
<li><span style="text-decoration: underline">Moneyball</span> (2003) by Michael Lewis &#8211;&gt; <em>Moneyball </em>(2011) &#8212; directed by Bennett Miller</li>
<li><span style="text-decoration: underline">The Motorcycle Diaries</span> (1993) by Che Guevara &#8211;&gt; <em>The Motorcycle Diaries </em>(2003) &#8212; directed by Walter Salle4</li>
<li><span style="text-decoration: underline">Mystic River</span> (2001) by Dennis Lehane &#8211;&gt; <em>Mystic River </em>(2003) &#8212; directed by Clint Eastwood</li>
<li><span style="text-decoration: underline">No Country for Old Men</span> (2005) by Cormac McCarthy &#8211;&gt; <em>No Country for Old Men </em>(2007) &#8212; directed by Joel and Ethan Coen</li>
<li><span style="text-decoration: underline">Notes on a Scandal</span> (2003) by Zoë Heller &#8211;&gt; <em>Notes on a Scandal </em>(2006) &#8212; directed by Richard Eyre</li>
<li><span style="text-decoration: underline">The Orchid Thief</span> (1998) by Susan Orlean &#8211;&gt; <em>Adaptation</em> (2001) &#8212; directed by Spike Jonze</li>
<li><span style="text-decoration: underline">Push</span> (1996) by Sapphire &#8211;&gt; <em>Precious </em>(2009) &#8212; directed by Lee Daniels</li>
<li><span style="text-decoration: underline">Q &amp; A</span> (2005) by Vikas Swraup &#8211;&gt; <em>Slumdog Millionaire<br />
</em>(2007) &#8212; directed by Danny Boyle</li>
<li><span style="text-decoration: underline">The Reader</span> (1995) by Bernhard Schlink &#8211;&gt; <em>The Reader </em>(2008) &#8212; directed by Stephen Daldry</li>
<li><span style="text-decoration: underline">Schindler&#8217;s</span><span style="text-decoration: underline"> Ark</span> (1982) by Thomas Keneally &#8211;&gt; <em>Schindler&#8217;s List</em> (1992) &#8212; directed by Steven Spielberg</li>
<li><span style="text-decoration: underline">The Sheep-Pig</span> (1983) by Dick King-Smith &#8211;&gt; <em>Babe</em> (1995) &#8212; directed by Chris Noonan</li>
<li><span style="text-decoration: underline">Sideways</span> (2004) by Rex Pickett &#8211;&gt; <em>Sideways </em>(2004) &#8212; directed by Alexander Payne</li>
<li><span style="text-decoration: underline">Silver Linings Playbook</span> (2008) by Matthew Quick &#8211;&gt; <em>Silver Linings Playbook </em>(2012) &#8212; directed by David O&#8217;Russell</li>
<li><span style="text-decoration: underline">True Grit</span> (1968) by Charles Portis &#8212; <em>True Grit </em>(2010) &#8212; directed by Joel and Ethan Coen</li>
<li><span style="text-decoration: underline">Up in the Air</span> (2001) by Walter Kirn &#8211;&gt; <em>Up in the Air </em>(2009) &#8212; directed by Jason Reitman</li>
<li><span style="text-decoration: underline">Winter&#8217;s Bone</span> (2006) by Daniel Woodrell &#8211;&gt; <em>Winter&#8217;s Bone </em>(2010) &#8212; directed by Debra Granik</li>
<li><span style="text-decoration: underline">Wiseguys</span> (1986) by Nicholas Pileggi &#8211;&gt; <em>Goodfellas </em>(1990) &#8212; directed by Martin Scorcese</li>
</ul>
<p><em>Image credits: <a href="http://commons.wikimedia.org/wiki/File:Library_books.jpg">1</a>, <a href="http://commons.wikimedia.org/wiki/File:1988_Academy_Awards.JPG">2</a>.</em></p>
<p>The post <a href="https://tampareview.org/why-yes-that-oscar-nominated-movieis-based-on-a-novel/">Why, Yes, that Oscar-Nominated Movie is Based on a Novel</a> appeared first on <a href="https://tampareview.org">Tampa Review</a>.</p>
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