We are thrilled to announce that this year’s winning manuscript of the Richard Mathews Prize for Poetry is The Resurrection of the Body by Kirk Schlueter. Schlueter is a writer and teacher based out of St. Louis, where he lives with his wife and son. His poetry has been awarded the Frontier Prize for New Poets judged by Victoria Chang, as well as an Illinois Arts Council Award, and has appeared in journals such as Bat City Review, RHINO, Diode, Third Coast, Nimrod, River Styx, Passages North, Ninth Letter, Natural Bridge, The Pinch, Grist, Radar Poetry, and Tinderbox Poetry Journal among others. Fellowships include the New York State Summer Writers Institute at Skidmore College, Kenyon College Writers Workshop for Teachers, and University Fellowship at Southern Illinois University-Carbondale. He received his MFA from Southern Illinois University-Carbondale, and can be found on his website.

Of Schlueter’s manuscript, one of our judges and poetry editor, Paul Corrigan, says:

In The Resurrection of the Body, through poems both narrative and lyrical, Kirk Schlueter tells necessary stories of male anorexia. These are stories that have largely been erased from broader social narratives by patriarchal assumptions about eating disorders. In an early poem in the book, titled “Ten Million American Men Will Suffer from an Eating Disorder During Their Lives,” the poet underscores anorexia’s gendered inflection by recalling a health teacher in school talking about body image and saying, “Girls, this is important, pay attention.” He also recalls some of the very boys mocking female classmates for disordered eating only to eventually find themselves suffering from the same disorder and uttering the same lie: “I’m fine.” Later in “The Anorexic’s Aubade,” Schlueter dramatizes the difficulties that loathing oneself can create for loving and being loved by another. A couple wakes and eats breakfast together—barely. The beloved eats just a “knuckle of food,” while the speaker “shoved my own eggs around // so it seemed I’d eaten more.” Later, the two are “rent apart / like meat cleaving off a bone.” The juxtaposition of food and body imagery (knuckle and bone, eggs and meat) links the breakfast and the breakup in a shared illness. But Schlueter’s stories are not only about illness. The final poem in the book, “The Body as Metaphor,” brings us to a place that is “healthy?” That question mark refuses any simplistic notion that all is well. But by now, the poet can declare: “I wanted to die, / & now I don’t.” That’s no small progress for any man or anyone.

Please join us in congratulating Kirk!

The Richard Mathews Prize for Poetry (formerly the Tampa Review Prize for Poetry) is given annually for a previously unpublished booklength manuscript. Judging is by the editors of Tampa Review. Submissions are now being accepted for 2026.

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This year’s winning story is “Milk Bottle Churches” by Jay McKenzie. McKenzie’s work appears in adda, Maudlin House, The Hooghly Review, Fahmidan Journal, Fictive Dream, and others. She recently won the Fish Short Story Prize, was runner up in the Tom Grass Literary Award, and has won, placed, or shortlisted in competitions including the Commonwealth Short Story Prize. Her novel How to Lose the Lottery will be published by Harper Fiction in March 2026.

Of the winning story, Ayana Mathis says:

Heartbreaking. Lyrically and beautifully written. This writer shows a deep facility with storytelling and knows when to reveal and when to withhold. The characters were well-rendered. The story’s use of figurative language was gorgeous, and more importantly, this writer understands that such language can be used to evoke the mood of the story as a whole, not merely the sentence or clause in which it appears: “On the sepia-tinted west bank of the Ex . . .” or  “. . . a dress that looks like a week-old bruise . . .” Time is also handled incredibly well; though the story’s current action takes place years after that fateful summer, those events haunt this story. The writer cleverly shows us how much the present is beholden to the past. I can’t think of a better macro-metaphor than the titular milk bottles thrown into the sea so long ago: one still carrying its message, the other smashed on a shore thousands of miles away.

Please join us in congratulating Jay, and we hope you’ll keep us in mind when submissions open once again in the fall!

Thank you all for sending us your work.

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Scott Frey has won the 2023 Tampa Review Prize for Poetry for his collection, Heavy Metal Nursing. In addition to a $2,000 check, the award includes hardback and paperback book publication in 2024 by the University of Tampa Press. 

 Scott Frey grew up in Western Pennsylvania and teaches English at Pine Meadow Academy. He learned to teach and found his first writing community at The Landmark School. He then found a wonderful writers’ community during his years teaching at The Ethel Walker School. He also served as a parent advisor for the Pediatric Advanced Care Team at Children’s Hospital, Boston. He and his wife run a non-profit charity, The Charlotte Frey Foundation, whose mission is to help children with multiple handicaps and life-threatening illnesses improve their quality of life.

Among other publications, he has work forthcoming in Passages North, december magazine, One, Bellevue Literary Review, and The Missouri Review, where he was awarded the 2023 Perkoff Prize for poetry. His prose chapbook, Night Nurses, was a winner in the 2023 Black River Chapbook Competition. He and his family live in Granby, Connecticut.

Tampa Review judges praised Frey’s collection, stating:

“Heavy Metal Nursing tells a story of love, the poet Scott Frey’s love for his firstborn daughter. It is not a sentimental love but a “heavy-metal” one, complicated by the hard facts of his daughter’s life: she was born with a severe brain injury, needed intensive care her entire life, and died at three years old. This book is the work of a poet and a parent in equal measure. These are poems of vulnerability and pain, of course, but simultaneously of parenting, caregiving, marriage, medicine, humor, tenderness, affection. Frey brings poetic technique to bear on personal trauma, narrative on desolation, love on loss.”

Frey says, “This collection is an attempt to depict the mix of sorrow and wonder we lived with our daughter during her traumatic birth and medically complex life. Even when our days felt like long tunnels, we were surprised by the care and kindness of our communities. This helped shape our responses to her absence and our responses to the ways her presence continues in a way unknowable beforehand.

Many of the poems began as a method of reaching towards the nurses, doctors, therapists, friends, and family who offered to our daughter and to us such exquisite attention and dedication.

The struggle to craft these narrative lines gave me a way to distill the chaos and emotions roiling within many of our most haunting scenes and memories. It gave me a form for placing lines of grit and despair arm-to-arm with lines of laughter and joy.”

This year the judges also announced two finalists:

Bruised Light: Collected Father by John Pijewski

Miss La La and the Cirque Fernando by Gavin Moses

The Tampa Review Prize for Poetry is given annually for a previously unpublished booklength manuscript. Judging is by the editors of Tampa Review. Submissions are now being accepted for 2024.

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Tampa Review 66 also features art by Coyote Shook.

The post 66 Cover Reveal appeared first on Tampa Review.

This year’s winning story is “Security” by Shayla Bruin. Bruin is a writer living in Chicago, Illinois. This is her first published work.

Of the winning story, our judge, Evan James, says, “’Security’ unfolds with subtle, sophisticated narrative artistry. When a couple in the suburbs opens their door to a pair of “new neighbors,” a breathtakingly swift series of dramatic reversals and ambiguous power shifts takes place, ultimately driving them to a profound sense of uncertainty about both the world and themselves. Fully realized and written with exhilarating skill and control, its final moments resonate with potent mystery–the once-familiar stripped bare and left standing in its own undeniable strangeness.”

James also selected the following finalists:

“Kentucky Unicorn” by Thomas M. Atkinson

“Brooklyn Bridge” by Grace Shuyi Liew

Please join us in congratulating Shayla, and we hope you’ll keep us in mind when submissions open once again in the fall.

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